“I built it in two weeks in my garage,” says Tom Buckland of his four-metre high lunar space module. “I had to build it in five pieces and assemble it in the gallery. It took five ute loads and a station wagon to get it here.”
The result is impressive. The lunar module made of cardboard, wood and coffee cups dominates the entrance to the art school gallery and sets the scene for the current exhibition Promised the Moon.
Curated by Dr Ursula K. Frederick, the exhibition contains work by Canberra region artists responding to the first moon landing, fifty years after the event. The show includes ceramics, video, photography, painted woodcuts, collage and prints.
Lee Grant has contributed dramatic black and white portraits of Canberra’s space trackers, now into their 80s. Each tracker gazes skywards accompanied by an object of significance from their days working with NASA on the Apollo missions.
Other artists have reminisced about watching the moon landing as children, on grainy black and white TV screens, and created soft dreamlike prints and drawings. Some have explored the Canberra connection, incorporating images of the Honeysuckle Creek tracking station in Namadgi, built to support NASA’s Apollo space missions.
Bega Valley artist Heather Burness even went to the abandoned Honeysuckle Creek Tracking Station to start her prints. She left the steel print plates on site at the corners of the old concrete footings of the dish site. She found the site, now a campground, overtaken by nature in the form of insects, robins and wallabies, and unique marks have been formed on her print surfaces from their footprints, as well as rust, dust, rain and mist. She then used parabolic curves to imply the data-reflecting surfaces of the space tracking communication dishes used during the Apollo moon missions.
Erica Seccombe’s video work shows a constantly moving moonlike hollow shape. Incorporating a 1960s sci-fi style, she rendered it as an anaglyphic moving image that appears in 3D when viewed through red and blue coloured glasses.
The volcanic basalt rock she animated to resemble the moon was only 0.5 mm in diameter. Knowing this challenges perceptions of near and far and inspires the imagination.
Several of the original Canberra trackers came to the exhibition opening and closely examined the lunar module creation.
“I was happy to see the old trackers looking at it,” says Tom Buckland. “They have such incredible technical knowledge and fascinating stories, it is wonderful talking to them.”
In a clever touch, the lunar module can be seen in his second work, ‘Canberra Living Room Fragment’ a 60s wooden TV set, broadcasting a black and white image of the lunar module across the room, as well as gallery visitors as they drift past. “It brings the viewers into the work, which is an added aspect,” says Buckland.
Text states ‘Live from the surface of the moon’ just as it did on screens at the tracking stations in 1969. “I found the TV two years ago at the Green shed, I always rescue wooden TVs if I see them,” Buckland explains. Some modern technology may have crept into this artwork, but the outside is pure 60s – right down to the plastic plate of iced vovos on top of the set, sitting neatly on a doily.
For more about the works in the exhibition and the importance of the artists in communicating and commemorating the ACT’s unique space heritage, curator Dr Ursula Frederick will speak in the main gallery on July 18 from 2-3 pm. This Promised the Moon curator talk is free, but RSVP is required.
Gallery opening hours
Tuesday – Friday, 10:30 am – 5 pm
The exhibition continues until Friday 26 July.
Original Article published by Cass Proudfoot on The RiotACT.