Senior students from Carroll College and St Peter’s Anglican College at Broulee, and Batemans Bay High School were given time to address Council – including Mayor, Liz Innes and Deputy Mayor, Anthony Mayne.
One of the Shire’s Federal MP’s was also taking notes – Member for Gilmore, Anne Sudmalis.
Courtney Fryer from Carroll College used the opportunity to advocate for young people living with physical and mental disability.
Harrison O’Keefe from Batemans Bay High, made a great point around youth engagement –“show them what they are missing out on” and he has an idea to do just that.
While Pippi Sparrius from St Peter’s presented some surprising stats around teenage pregnancy in the Eurobodalla.
Keen to give the students a ‘real council meeting’ experience, Cr Innes was watching the clock, with Courtney, Harrison, and Pippi all given five minutes each.
Thelma is an Indigenous singer-songwriter from northern New South Walse, a graduate of the Music Industry College in Brisbane, she released her debut EP ‘Rosie’ in March 2013, which was followed by ‘Monster’ in 2014.
With Triple J Unearthed, National Indigenous Music Awards, and Deadly Award wins as a springboard, Thelma has continued to draw attention and audiences. She is currently wrapping up a national tour with West Australian band San Cisco.
Jean-Paul is a Sydney based writer, producer, and mixer who has worked alongside Birds of Tokyo, Daniel Johns, Jet, Cold Chisel, Josh Pyke, and more.
These two mentors came to beautiful Bermagui under the banner of the SongMakers program supported by music royalties body APRA AMCOS.
“They led the students through a songwriting process that had them engaging their senses and taking notice of their feelings and emotions,” explains Annette Turner from The Crossing.
SongMakers is an intensive, real-world program centred around being creative. Australia’s best songwriters and producers help students to create and record new music.
For two days, students are immersed in a hothouse collaborative environment and given unparalleled insight into the forces that drive the contemporary music industry and the creative processes required to cut through.
“Songmakers usually go into schools but I asked them to come south and run the workshop as a camp because it’s a challenge getting 16 senior music students from any one school on the south coast,” Annette says.
“With the support of the Yuin Folk Club it all came together and four brand new songs are the result.”
The push is on to secure the closest thing Bega might have ever had to a youth and community centre.
The Funhouseon Hill Street has been operating for just a handful of months but in that time it has become a big feature in the lives of the growing community of people around it and a ‘go to’ resource for a range of ideas and initiatives.
Thirty-one-year-old Cayce Hill is the force behind it.
Cayce moved to the Bega Valley two years ago having spent the five years prior in Melbourne, a long way from her hometown of Claremont, about 50km east of Los Angeles.
“A lot of my city friends said to me ‘you are going to be bored’ (in Bega) but the reality is so different,” Cayce says.
“There’s a lot of motivated, wonderful, creative energy flowing and Funhouse is starting to be the gravitational pull.”
Over the next 24 days, Cayce is hoping to raise a further $20,000 to keep the Funhouse going as it is now into 2017. A little over $9,000 has already been pledged via a crowdfunding ‘Pozible’ campaign.
Longtime Bega businessman Peter Turner owns the building which until recently housed his long-running video hire business.
Cayce credits Peter with contributing to the early success of Funhouse by agreeing to a lesser rent for the three-level property. The aim now is to wipe that pressure for a whole year and raise the $29,000 needed.
Most of the money to get Funhouse to this point has come from Cayce’s on-site dance classes.
“I have fifty plus students and all the money they give me goes straight into Funhouse,” she says.
“But now that we are starting to get enough members using the space, Funhouse will be able to sustain itself more that way.”
Since the end of July, an eclectic mix of users has been booking space regularly within these brown brick walls just back from Bega’s main street.
Meditation, martial arts, board games, theatre , flamenco lessons, language classes, ballet, yoga, maths tutoring, men’s singing and more are part of the Funhouse program. Each session pays its way and the people connected to those varied interests become part of a community, something Cayce hopes is the start of a viable future.
While Funhouse is and will continue to be used by a wide range of ages, the needs of youth are at the heart of the next step.
“Bega desperately needs a place where young people can go,” Cayce says
“I can’t think of any place that a young person can go in Bega on a Friday night – to just hang out.”
First though, breathing space is what Cayce is hoping to buy through the Pozible campaign; rent in 2017 covered so that a more strategic approach towards youth and community programs can be developed without worrying about $600 rent each week.
“From that vantage point I can see all the things that I have been keeping on the back burner,” Cayce says.
“Business incubation, youth programs, a drop-in space, really being strategic about what we as a collective, as a cooperative want to achieve.”
Before the work of her journalist partner brought her to the Bega Valley, Cayce worked with the not-for-profit youth performing arts organisation ‘Outer Urban Projects‘.
“That alone was really inspirational, but I also had friends who owned bars who were putting on hip-hop workshops, there was so much happening in Melbourne,” Cayce says.
“When I came to the area (the Bega Valley) I think I was really thirsty for that.”
Cayce says she was also surprised to learn that many locals saw Bega as a town to pass through, on your way to somewhere else – somewhere better.
“I just thought, I reckon I can change that,” Cayce says.
“If there was a space where people could stop in and they knew that their friends would maybe be there or they knew that some kind of project or energy was happening, people might be more likely to spend a bit more time in Bega.”
Rather than have the Funhouse tied to a government agency or semi-corporate entity, Cayce sees greater strength in the community taking ownership of it.
The Funhouse of the future will be shaped by the people that step up to take in on.
Governance structures around a cooperative model are being built and would be developed further as financial security is deepened.
While money is in short supply, trust has been the key Funhouse commodity.
“It’s amazed me, everyone comes and is so loving and nurturing, and happy and expressive, there’s not been one bad egg,” Cayce says.
Similar values are at play in shaping what happens within the space. The steady stream of high schoolers making the Funhouse their own is a testament to that.
At a time when many well-meaning organisations are scratching their head, pondering how to engage with youth, Funhousehas nailed it, something groups like the PCYC have acknowledged and are tapping into.
“The secret is just asking them (youth) and consulting with them,” Cayce says.
“I’ve been doing quite a bit of listening and I think that has created an atmosphere where rather than me pushing my agenda, I’ve allowed for a larger youth voice.”
It’s a philosophy that informs a simple business plan for the future, one that starts with a community need or interest and then goes about developing an appropriate level of response based on what the community can afford or accommodate.